Conclusions
After nearly 2 months (11 class-hours) of working with fifth level students applying drama activities in order to raise motivation and lower speaking anxiety, the following conclusions can be drawn:
Learning autonomy, Fluency and Self Confidence
Stevick (1976) talks about learners’ need to feel a sense of belonging and security, and also to invest something of their own personalities, and so enjoy a certain ‘self esteem’.
When learning a language, students are usually being told what to do. Sometimes, they are even treated as little children. While working with the students, I found out that they felt more comfortable during their speaking when the teacher was not interrupting in order to correct grammatical mistakes. Through drama activities, students learn how to make their own decisions, as speech freedom is at the top of the list. This sensation of feeling free without any control also helps students to improve fluency, according to the results from this research. This leads them towards learning autonomy, and therefore self confidence can be built up. This in turn means that students are not afraid of making errors and therefore speaking itself is enhanced. I believe if a teacher forces a student to speak, then he or she does not want to speak. The evidence from this project shows that stimulating students to speak through drama activities can develop in them a natural desire or willingness to speak. Results showed that students now, after applying 11 drama sessions of one hour each, were more certain about transmitting the message in speaking situations, as they were not getting controlled so much.
When learning a language, students are usually being told what to do. Sometimes, they are even treated as little children. While working with the students, I found out that they felt more comfortable during their speaking when the teacher was not interrupting in order to correct grammatical mistakes. Through drama activities, students learn how to make their own decisions, as speech freedom is at the top of the list. This sensation of feeling free without any control also helps students to improve fluency, according to the results from this research. This leads them towards learning autonomy, and therefore self confidence can be built up. This in turn means that students are not afraid of making errors and therefore speaking itself is enhanced. I believe if a teacher forces a student to speak, then he or she does not want to speak. The evidence from this project shows that stimulating students to speak through drama activities can develop in them a natural desire or willingness to speak. Results showed that students now, after applying 11 drama sessions of one hour each, were more certain about transmitting the message in speaking situations, as they were not getting controlled so much.
The teacher and student motivation
Another important conclusion drawn from the data collected is that students also feel comfortable when they feel the teachers’ trust and friendship, friendship in the sense of being helped by the teacher. Another important aspect for the teacher to achieve is to transmit “learning awareness” to the students, which means that students, in order to get more motivated, have to feel that learning is meaningful. Asking directions in a strange town, as in one of the activities, is a classic example. Only through a “comprehensible” message transmission or input will the student get to his/her destination. This kind of reward sensation makes an important impact on students’ motivation, and is much more valuable than getting a good grade. Besides that, the teacher’s job is to make students feel that they are capable of producing oral language, which helps them to start believing in themselves. In fact, motivation is the most important part, which can be seen as a base of learning. When a student is motivated to improve his oral speech, the chance that he/she will do so is very likely. After those drama sessions, all students were motivated and wanted to go on.
Constructive learning theory
Vygotsky’s social constructive learning theory applies as well after having analyzed the results of this project. Learning is socially constructed and therefore it is divided into several processes of a social nature. In this project, I let students think first (brainstorming), then I gave them time to prepare (rehearsal) their created role-play, and then they performed it in front of the others. After doing so for a while, students built up more confidence and therefore, I eliminated preparation time. In the end, improvisation was all that was necessary. Even making many grammatical errors, students learned how to react faster to transmit a comprehensible message. This, as a student mentioned in one of the video-recordings, got them more prepared for the outside world.
Cooperative learning and experience of success
Interesting data from OSE 2 was collected from one student, who mentioned that she was “stamped” by other students making fun of her oral performances, but the very same student confirmed in MS 2 that through these drama techniques, speaking performance increases, and therefore no more “making fun of each other” is going to occur.
This great “reward sensation” can only be archived through cooperative learning, where all students work towards the same goal, thus transmitting a message and being understood. Once this goal is reached, students feel very satisfied, realizing that everything they have applied from previous learning has worked out.
This kind of reward sensation, for example, being able to buy a concert ticket or having a discussion with their wives, made the students happy during the sessions. Students felt that all their sacrifice from class, all the theory, all their learning, had real meaning. Again, students built up more motivation and realized that it is the student that has to take action in order to learn.
Learn by doing, Self Monitoring and Grammar
According to students’ comments, for example “You learn when you practice.”, they give evidence of my teaching philosophy of using drama activities in class. Another comment from one student “Yes, because of watching the recordings [see blog] I could see my errors” confirms that through self-monitoring, students are able to see their errors. This raises learner awareness and therefore students are able to correct themselves later on. Of course, this has to be applied throughout a very long period of time in order to achieve good results.
Concluding this, I would say that students need to loosen up their tongues first. Of course, grammar is always an issue, but it should not be the basis of an English class. Step by step, students will learn how to polish their speech in terms of grammar correctness through self monitoring and, of course, through valuable input such as listening to authentic tape recordings or movies, but again, first, they have to feel free of anxiety, and here the teacher has to play a big part in order to make student real learning possible.
Creativity and Imagination
In "Finding your way 1" we can observe how an image can facilitate students’ imaginations in order to make the situation more real. As a result, students can find a natural way of defending themselves when it comes to speaking performance, which leads to speaking competence improvement. Thus, projecting real life-size images on the wall inside the classroom, almost like background scenery we use to observe in theatres, is an excellent way to enhance creativity and imagination among students, while acting out an authentic situation. This was confirmed by the official teacher of this class in one of her comments) In order to achieve the task, an immediate need is being generated, and students therefore become real actors simulating a real task by living the language.
Improvisation
Improvisation has to be developed through much practice, and was definitely not an easy task for every student throughout this research study. In OSE, it can be noticed that most of the students were afraid of improvising when it came to oral performance, and thought that they were going to get stuck while speaking. Nevertheless, according to the statements from Figure 18 of the MS 2, students were not that afraid anymore while improvising a role in authentic situations after several sessions. Finally, students got used to the technique, and it was very interesting to watch how especially the shyer students performed really well during the last role-plays. I think when applying improvisation in class, constancy and patience are very important issues to consider.
The classroom-environment
Evidence from students’ comments shows that when acting out dialogues, students just forget about being tired by getting involved in authentic scenes. I call this active relaxing in a low-stressed environment.
Speaking anxiety
According to the data collected in this research and its analysis, students’ speaking anxiety lowers when students are confronted with authentic situations which they have to act out. Speaking anxiety is generated through many inputs such as teachers’ authority, pressure on correct speaking, and personal factors such as shyness and embarrassment. All this can be improved when doing constructive drama activities in class.
Recommendations
Classroom materials
All students gave positive feedback on that part. According to the questionnaires, they even were demanding more video and sound perfection. But the problem is that PUCE does not provide any kind of video cameras. Therefore, I propose to PUCE an inventory of all teaching aids in order to monitor and observe student performances. This would really help them to gain more learning awareness and motivation. Video cameras could be easily installed on the ceiling.
Teachers often don’t have easy access to a projector in order to project life-size images on the classroom wall as well. Proposal: An alternative to a projector would be an overhead projector. It is also more practical as no laptop will be needed. The images including tasks and language input would have to be copied on transparencies before the class starts.
Individual differences
The results also showed that not all students responded 100 % positively to some acting scenes. Individual differences sometimes hinder oral production, so here my proposal is that the teacher has to be capable of recognizing the personality and speaking ability of individual students, and give them appropriate roles.
Speaking skill level
Different students’ speaking skill levels within one course can lead to complications. I remember one scene where one student with good oral skills was acting together with one student with lower oral skills. As some students mentioned different levels in their comments as a problem, I observed that this low self esteem student felt very insecure and undervalued and therefore speaking was hindered. This is very difficult to manage as a teacher. I would recommend (proposal) that the teacher should put homogenous students together, at least in the beginning of the class.
Shy students and habit formation
First, students needed a lot of time to prepare themselves to act; then, each time the preparation time was less and, in the end, students just improvised. No more being afraid of talking. Improvisation makes you talk!!! Due to this “learning evolution”, students were able to act out six scenes in the final session, in comparison to only two or three situations in the beginning of the research study.
Very shy students though still had problems with their introverted personalities. They couldn’t let go YET!!! So, it is a time problem. Nobody can improve that fast within a two- month project (11 hours total) when one is used to other methodologies. I recommend that even for very shy students using drama techniques, this can be a refreshing way to lose fear when speaking English under the condition of drama application over a long period of time. Only then can habits be formed, and therefore, successful output achieved.
Preparation and time
From my own experience, I would say this is the biggest problem. The easiest way is probably to act out already given dialogues from the student’s book. Nevertheless, after a while, I fell into the routine of preparing authentic-like situations for the students, and therefore, class preparation could occur a bit faster. However, as teachers are used to the students’ book, designed by competent linguists, they probably would not take the risk of applying those kinds of activities in their classes, so my proposal would be to send students twice a week to the “Drama Lab” where they could practice and improve their speaking skills. The teacher in charge would attend to the students of all kinds of levels. He or she would prepare all the possible situations according to the lessons for each group and each level, according to the teachers’ syllabus program. This would have a beneficial impact on the teacher and students. Students would get out of their routine twice a week by joining the “Drama Lab”, where fun and learning would take place. The teacher would have some time off in order to correct tests or prepare some classes.
Integration of drama activities into study program of PUCE
After two month of conducting this project with fifth level students at PUCE, the current teacher of this specific class asked me: “How can we as teachers integrate those drama activities in our teaching curriculum?” The problem is that the English Department designed study program is so tight that there is very little time left for speaking activities. So, my proposal would be to modify the curriculum of the English department of PUCE by adding a “Drama Lab” part to it. In this way, it would not be necessary for teachers to change their methodology and receive training in using drama activities, since the “Drama Lab” would be the responsibility of a teacher qualified to run it.
Native speakers
According to some students’ comments like “Through drama we are kind of getting prepared for real situations “, I would highly recommend to students to look for real interaction. Native speakers could be invited to join in the dramatizations. Therefore students could simulate a real situation having contact with native speakers. Apart from this whenever students can get in contact with a native speaker, let us say an exchange student, they should take advantage of this situation, thus trying to apply all simulated situations, just as they did in the drama class.
Final Comment
At this moment, I would like to conclude this chapter with an interesting quote:
Mc Donough (1995:30), states the importance of learner survival in the outside L2 world, and how too much emphasis has been put on measuring learners’ ability in the classroom:
“In the real world, learners need to act pragmatically
in order to survive linguistically, not simply learn to perform adequately
to pass some standard in a classroom situation. “
This can be simulated and practiced with drama and improvisational activities as a complementary part of the PUCE English program.
By doing drama exercises in class throughout a long period of time, transforming it into a habit, students will be prepared in order to survive in the outside world.
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Consultation: 11/2010
Chesney-Green, G. (2002) Multiple Intelligences in Drama ,
http://drama-education.com/resources/toc.htm Consultation: 10/2010
http://drama-education.com/resources/toc.htm Consultation: 10/2010
Chiasson, P. E. (2002) Humor in TEYL - Reducing Classroom Anxiety
http://www.teyl.org/article2.html Consultation: 10/2010
Davis, J. (2009) Drama in the ESL Classroom
Doughty, C.J. and Long, M.H. (2003) Optimal psycholinguistic environments for distance foreign
language learning, Consultation: 11/2010
Ellyatt, W. (2005) Play, Playfulness, Learning and Life, Consultation: 11/2010
http://www.deepfun.com/2005/05/play-playfulness-learning-and-life.html
Guida,M. (1995) Creating Theater in the ESL Classroom
http://www.njcu.edu/cill/vol3/guida.html Consultation: 11/2010
Hayton, T. (2009) Simulated immersion, Consultation: 11/2010
Kiraly, D (2005/06) Aprender idiomas naturalmente, Consultation: 11/2010
Livingston, D. (2010) The Impact of Piaget's Learning Theory on Adult Education
http://factoidz.com/the-impact-of-piagets-learning-theory-on-adult-education/
Consultation: 10/2010
http://factoidz.com/the-impact-of-piagets-learning-theory-on-adult-education/
Consultation: 10/2010
Liu, M.CH. (2006) Memorization and Improvisation: A Comparison of Two Strategies in
the oral Acquisition of English as a Second Language, Consultation: 10/2010
the oral Acquisition of English as a Second Language, Consultation: 10/2010
Lynch, L. (2010) Add Drama to an EFL Class,
http://www.eslbase.com/articles/drama / Consultation: 10/2010
http://www.eslbase.com/articles/drama / Consultation: 10/2010
Nakagawa, K. (2000) Teaching Speaking: From Accuracy vs. Fluency to Accuracy plus
Fluency http://www.geocities.co.jp/CollegeLife/9546/papers/paper2.htm
Fluency http://www.geocities.co.jp/CollegeLife/9546/papers/paper2.htm
Consultation: 10/2010
Online Educational Glossary (2010) Communicative Competence
http://www.education.com/definition/communicative-competence-languages/
Consultation: 10/2010
Consultation: 10/2010
Pintrich, P. & Schunk, D. (1996) The Role of Expectancy and Self-Efficacy Beliefs
http://www.des.emory.edu/mfp/PS.html / Consultation: 11/2010
http://www.des.emory.edu/mfp/PS.html / Consultation: 11/2010
Puchta, H. (2007) Developing young learners speaking skills
http://www.herbertpuchta.com/page/handouts/ETAS_Conference_2007/PARROTS_ETAS.pdf Consultation: 10/2010
http://www.herbertpuchta.com/page/handouts/ETAS_Conference_2007/PARROTS_ETAS.pdf Consultation: 10/2010
Smith, S. (2009) Using Drama as a Resource for Giving Language More Meaning
http://www.developingteachers.com/articles_tchtraining/drama1_sam.htm
Consultation: 10/2010
http://www.developingteachers.com/articles_tchtraining/drama1_sam.htm
Consultation: 10/2010
Zyoud, M. (2010) Using Drama Activities and Techniques to Foster Teaching English as a
Foreign Language: a Theoretical Perspective.
Foreign Language: a Theoretical Perspective.
http://www.qou.edu/english/conferences/firstNationalConference/pdfFiles/muntherZyoud.pdf
Consultation: 10/2010
Consultation: 10/2010